For my If these walls could talk course, we were assigned to choose a neighborhood in Chicago, examined its history and the needs of its community, illustrate an image that forfilled those needs, and write an artist statement to defend our design. If these walls could talk is an art and history elective course that explores the history of murals. I chose the 50th ward, also known as West Ridge but focused on "Little India" for this project. The purpose of this action project was to illustrate an image that could be used to create a large-scale mural. I learned about the evolution of the techniques used to show perspective. I enjoyed learning about the Medici family and their influence in the Renaissance in Florence, Italy. I struggled with writing my artist statement, but meeting with my teacher helped clear the haze.
Below is my image and my artist statement!
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| GN, In Harmony 2015 |
GN
11/2015
In Harmony 11” x 14”
Pencil on paper
For as long as I could remember I have been infatuated with India. My obsession is not just related to the Bollywood industry, the rich and spicy food, or the colorful ornate clothing. Although, I should mention that my closet is better suited to Punjab than Chicago and that I hanker over Barun Sobti rather than Zac Efron.
Little India is a ten-block stretch on Devon Avenue on Chicago’s north side. Little India is one of the most vibrant neighborhoods in Chicago. The culture, markets, and savor of this ten-block stretch on Devon Avenue help keep my addiction at arm’s length until I have an opportunity to disembark at Pathankot Airport. Being hit by a heady aroma of spices from a nearby restaurant or being drawn by a saris to a storefront are what keep attracting me to Little India. Skipping to Devon is a lot easier than trudging to Mumbai or Punjab. Devon is the most diverse street in the city. Although mainly Indian-focused, according to the Executive Director of West Ridge Chamber of Commerce, 75% of the area’s residential population is Jewish. Devon is home to Indian-Americans, Pakistani-Americans, Jews, Eastern-Europeans, and Assyrian-Americans and this melting pot gets along just great.
I’m proposing a mural that celebrates Little India, but also one that calls attention to the individual cultures within it. Although Little India is mainly focused on India, a lot of businesses are also owned by Pakistanis, Russians, Iraqis among others. My piece is both a tribute mural to make Little India even more beautiful and to bring to attention the plethora of cultures residing in Little India especially Pakistan that are often overlooked.
My sketch is of an Indian woman and a Pakistani man marrying. The motifs in the background are prominent symbols in both cultures. My sketch mimics the complex, more detailed style of Ancient Greeks and Ancient Egyptian paintings. This more complex and detailed style of paintings showcase the relations between Indian and Pakistani in there land of origin. Though Indians and Pakistanis don’t get along in their land of origin, I find it fascinating how they coexist in harmony in Little India. I was inspired by the use color and the simple yet intricate forms in the Ajanta cave Frescoes in India. I utilized the Hindi and Urdu both the official languages in each country to represent each culture’s individualism while also accentuating their cohesion and harmony. With the motifs receding in the background and telling its own story, I’ve utilized the use of vignettes to create meaning, fluidity, cohesion and uniformity in the painting. In order to represent the vibrancy of each culture, I used such colors as red, blue, yellow, pink, orange, and brown.
When installed, the mural will span the wall in the center of Little India and Pakistan. I hope that this mural transcends its audience to a state of joy, uniformity. and inclusion.
